Posts from March, 2012
Ear Trumpet Labs – Edwina Microphone Review
Sunday, March 25th, 2012 | by Don Gunn
It’s a rather unique and great time in which we live; in this internet-driven age, small- and sometimes even singularly-staffed manufacturers can craft products and market them to the world with nothing more than a website. No more having to only choose from a small handful of companies making products for the masses; there are […]
Posted in Microphones, Reviews | 1 Comment
Evil Toy Piano Microphone Shootout
Saturday, March 17th, 2012 | by Eric Beam
Posted in Microphones, Technique | 5 Awesome Comments
Quest for the Ultimate Live Sax Mic: Condenser Shootout
Thursday, March 15th, 2012 | by Marc Mommaas
First I would like to thank all of you who responded to Part I of The Quest for the Ultimate Live Sax Microphone, which reviewed dynamic microphones. This is a very exciting project, and since the last article I have made a point of talking to each live sound engineer I could get my hands […]
Posted in Live Sound, Microphones | 15 Awesome Comments
New Site Features
Tuesday, March 13th, 2012 | by matthew mcglynn
The mic database has been getting smarter. Here is a quick tour of the new features. Mic Awards The TEC Foundation selects one studio and one live-performance mic annually for their prestigious TEC Award. We now list all the winners and nominees back to 2003. A few publications, notably MIX and ProSound Web, have awards […]
Tags: Alan Veniskofsky, Jim Mona
Posted in Colophon | 4 Awesome Comments
Rycote InVison Studio Kit Review
Wednesday, March 7th, 2012 | by Paul Strikwerda
Voice actor Paul Strikwerda reviews the Rycote InVison Studio Kit — a universal shockmount and pop filter attachment at a very reasonable price.
Posted in Microphones, Reviews, voiceover | 9 Awesome Comments
Microtech-Gefell M 930 Ts Review
Monday, March 5th, 2012 | by Paul Strikwerda
Voice artist Paul Strikwerda reviews the new Microtech-Gefell M930Ts transformer-coupled large-diaphragm FET condenser microphone as a voiceover workhorse. The review includes audio samples demonstrating tonality, proximity effect, and Cardioid pattern size/off-axis response.
Posted in Broadcast, Microphones, Reviews, voiceover | 24 Awesome Comments